| Date | Venue | City | Status |
|---|---|---|---|
| To be confirmed | Scotiabank Arena (to be confirmed) | Toronto | Date to be confirmed |
| Section | Indicative price |
|---|---|
| Entry / Standing | C$49–C$74 |
| Tier / Stands | C$94–C$129 |
| Front rows / Premium | C$129–C$159 |
| VIP / Hospitality | from C$159 |
Indicative prices based on comparable events in Toronto — never inflated or invented. Official price bands are confirmed by the promoter when tickets go on sale; you'll get them in the alert.
As it stands, a The Who Toronto 2027 date has not been officially confirmed. That is completely normal at this stage. Major Rock tours are announced leg by leg, and Toronto — as one of the biggest live markets anywhere — is almost always on the routing when an artist of The Who’s level goes back on the road. The moment The Who confirms a Toronto show, this page is updated with the venue, the date and the exact on-sale details, so it is worth bookmarking.
Right now the single most useful thing you can do is register for a free alert. Toronto shows for an artist like The Who routinely sell out within minutes, and the pre-sale window — where the best seats quietly go first — is short and easy to miss. Sign up and you will get an email the second a The Who Toronto 2027 date lands, with the pre-sale code and the on-sale time, so you are ready before the general public even sees it.
We keep everything on this page honest: no invented dates, no made-up venues and no fictional prices. Until The Who and the promoter put out an official announcement, every detail below is framed as a likelihood or an indicative guide, clearly labelled as such. When the real information arrives it replaces the estimates here immediately — and it reaches your inbox at the same time if you are signed up. That way you are planning around facts, not rumours, and you never miss the window that matters.
It is also worth understanding why a Toronto stop is so likely for a Rock artist at this level. Toronto sits on almost every European and international touring route, it has the venue capacity to justify the travel and production costs, and its audience reliably fills big rooms — which is exactly what makes promoters pencil it in early. If The Who is touring in 2027 at all, a Toronto date is one of the more probable markets rather than a long shot, even if it is confirmed later than the first-announced cities.
In the meantime, keep an eye on The Who’s official channels and this page together. Tour news usually breaks first through the artist’s own social accounts and the promoter, then filters out to ticketing sites and the press within hours. The fastest, least stressful way to stay on top of it is simply to sign up once here — we do the watching so a The Who Toronto 2027 announcement never slips past you while you are busy with everything else.
Nothing is confirmed, but based on the scale of a typical Rock headline show, the most likely home for The Who in Toronto would be Scotiabank Arena, with History and Danforth Music Hall also firmly in the frame. The final choice usually comes down to expected demand, the stage production The Who is touring and which room is available on the night the promoter wants. Here is how the main Toronto options compare:
Scotiabank Arena and Rogers Centre are right by Union Station (TTC subway + GO); Budweiser Stage is on the waterfront; History and the Danforth venues are on the TTC subway. Whichever venue The Who lands for Toronto in 2027, the rule is the same: the higher the demand, the faster it sells — so knowing the on-sale date in advance is what makes the difference between a great seat and a resale scramble.
Capacity matters for your chances, too. A larger arena means more tickets and a slightly better shot in the general sale, while a smaller, more intimate room pushes almost everything into the pre-sale. Either way, treat the venue names above as informed expectations rather than confirmed fact until The Who announces — and let the alert do the watching for you so you do not have to refresh listings every day.
If The Who plays more than one Toronto night, the first date usually goes on sale alone and a second (or third) is added only once the first shows strong demand. Those extra dates often go up with little notice and less fanfare, so fans who are only watching for the headline announcement can miss them. Being on the alert list means you hear about added Toronto shows too, not just the first one — which can be your best route to a ticket if the opening night sells out in minutes.
Tickets are released in stages, and understanding the sequence is the whole game for a high-demand Rock show:
Register for the The Who Toronto 2027 alert above and we will email you the pre-sale code and the on-sale time the moment they are confirmed. A few practical tips for the day: log in to your ticketing account and save a payment card before the sale opens, use a strong and stable connection, join the queue the instant it goes live, and do not refresh repeatedly — that can send you to the back. Be a little flexible on tier and you will almost always come away with seats.
Always buy through the official channels. For a show on this scale, resale prices spike within minutes, and most Toronto venues now use name-locked mobile tickets that are reissued in your name when you buy through official resale. If you miss out, the official resale or the promoter’s fan-to-fan exchange is the route that keeps both your money and your night safe.
How many tickets can you buy? Most Rock shows cap orders at four to six per person and per household to keep touts at bay, and some use identity checks at entry, so buy under the name of someone who will actually attend. If you are going as a group, agree in advance who will buy for everyone — having two people try for the same seats can mean you each end up in a different part of the Toronto venue, or that a duplicate order is cancelled. One person, one clean order, is usually the smoothest way through the queue.
Prices are confirmed by the promoter at on-sale, but as an indicative guide for a Rock headline show at a Toronto arena, you can expect roughly:
These are indicative figures based on comparable Toronto shows, not confirmed The Who Toronto 2027 prices — the real bands are set only when tickets go on sale. VIP and hospitality packages typically bundle a premium seat or early entry with extras such as a merch pack, a dedicated bar or an early-access lane; they cost more but can be well worth it for a show you really care about.
Watch two things when you budget. Booking and facility fees are usually added on top of the face value at checkout, and dynamic pricing can push the most in-demand seats higher than the bands above. Decide your ceiling before the sale so a surge does not tempt you into overpaying. Sign up and we will include the confirmed price bands for The Who Toronto 2027 in your alert as soon as the promoter publishes them.
No setlist is confirmed yet — artists finalise them close to the tour, and they can change night to night. What we can say is that a The Who show is built around the material fans most want to hear, usually a mix of the defining hits and songs from the most recent release, paced to build toward a peak. Expect one of the most electric live propositions in music once the lights go down.
Doors typically open 60–90 minutes before the headline set, with one or more support acts before The Who takes the stage. As a Rock night, the production is a big part of the draw — lighting, visuals and staging designed for a room the size of a Toronto arena. If you want the full effect, aim for a clear sightline to the stage and factor the support slot into your timings so you are not still queuing when the opener starts.
We will update this section with the confirmed support line-up and, once the tour is under way, a sense of the running order for The Who Toronto 2027 — always drawn from what has actually been played on the tour, never invented. Until then, treat any setlist you see elsewhere as a best guess rather than a promise.
One practical note: with a Rock show of this size, the running time is usually somewhere around two hours including the support, though headliners vary. If there is a strict curfew at the Toronto venue — common for shows in residential areas — the main set can start promptly, so do not bank on a long gap after the doors time. Getting in early also means you are settled for the support act, who are often worth catching in their own right and can be a highlight you did not expect.
Scotiabank Arena and Rogers Centre are right by Union Station (TTC subway + GO); Budweiser Stage is on the waterfront; History and the Danforth venues are on the TTC subway.
For a big Rock night, plan your journey around the end of the show rather than just the start. Crowds leave all at once, so public transport is busiest immediately afterwards; checking the last departure times before you travel saves a stressful finish to the evening. If you are driving, pre-book parking near the venue — on-the-night spaces around Toronto arenas fill quickly and cost more.
If you are travelling in for The Who Toronto 2027 from out of town, it is worth staying over. Rooms near the venue and the main transport hubs book up fast once a major date is announced, and prices climb as the night approaches, so reserve early and look for somewhere with a flexible cancellation policy in case the date shifts before it is confirmed. Staying central also lets you make a proper evening of it — Toronto has plenty of places to eat and drink before the show, and you avoid a late-night dash for the last train home.
If you are coming from abroad for The Who Toronto 2027, build in a buffer day either side rather than flying in and out on the day of the show. Delays happen, and nothing is worse than missing a gig you travelled for because of a late train or plane. Check whether the venue is on the right side of the city for your accommodation and airport, and keep your tickets, ID and a charged phone together — many Toronto venues now admit you on a mobile ticket and photo ID only, with no paper backup.
The pre-sale is where the best The Who Toronto 2027 seats go, and getting in is mostly about preparation. Register your interest with the official fan list and with any partner — card, telecom or streaming — you already use, because each route can carry its own code and its own early window. Codes are usually sent by email a day or two before the window opens, so watch your inbox and your spam folder in the run-up.
The simplest way to cover every route at once is to sign up for the free alert on this page. We track the official announcements and email you the pre-sale code and on-sale time for The Who Toronto 2027 the moment they are released, so you are not relying on catching a single social post at exactly the right second. One sign-up, every window covered.
A quick word on pre-sale codes: a genuine code only ever comes from the official fan club or partner you registered with, and it only unlocks the pre-sale — it never guarantees a ticket once you are in the queue. Be wary of anyone selling codes for The Who Toronto 2027, as they are usually either fake or already used. If a pre-sale sells out before you get through, do not panic; plenty of good seats are held back for the general on-sale the next day, so line up again then with the same preparation.
Seeing The Who in Toronto is not just another gig — it is one of the most electric live propositions in music. Toronto crowds are famously all-in, and the city’s venues are built for exactly this kind of night. Whether it turns out to be a greatest-hits run or a set around the newest record, a The Who Toronto show is the kind of night people plan their year around — and it rewards getting tickets early, ideally in the pre-sale.
There is also the atmosphere unique to a packed Rock crowd: the singalongs are louder, the big moments land harder, and a sold-out Toronto room gives a show an energy you simply do not get from a stream or a playlist. If a 2027 date is announced, it will be one of the live highlights of the year in the city, and the kind of show people are still talking about months later.
If you are into The Who, these Rock artists are also on fans’ radar for Toronto 2027 — tap any to get their alert too: Avril Lavigne · Bryan Adams · Alanis Morissette · Simple Plan · AC/DC · Coldplay · Foo Fighters · Green Day.
Not yet. No official The Who Toronto 2027 date has been announced. Register above and you will be the first to know the moment one is, with the venue and on-sale details included.
On-sale dates are set by the promoter, usually a few months before the show, with a fan pre-sale 24–72 hours before the general release. Sign up so you do not miss the pre-sale.
It is not confirmed. Based on the likely scale of the show, Scotiabank Arena is the most probable, with History and Danforth Music Hall also possible.
Prices are confirmed at on-sale. As a guide, seated tickets typically start around C$49, with premium and VIP packages higher. We will send the confirmed bands in your alert.
High-demand Rock shows almost always have a fan or partner pre-sale before the general on-sale. The code and timing are confirmed at announcement — sign up and we will forward them straight to you.
Yes, through official resale. Many Toronto venues use name-locked mobile tickets, and the official resale reissues the ticket in the buyer’s name so it scans at the door.
The Who played The Rock Pile in Toronto on May 19, 1969, an early and now-legendary Canadian appearance during the touring cycle that introduced their rock opera Tommy. The Rock Pile, a short-lived but influential Toronto rock venue, hosted Pete Townshend, Roger Daltrey, John Entwistle and Keith Moon at a pivotal creative moment, as the band began performing the ambitious Tommy song cycle live. The set combined selections from the newly released double album with the explosive early singles and R&B-rooted material that had made them one of the most ferocious live acts in rock. Townshend's windmilling power chords, Daltrey's soaring vocals, Entwistle's thunderous bass and Moon's chaotic, propulsive drumming produced the volume and physical intensity that defined the band's reputation, often culminating in instrument destruction. Songs such as 'I Can't Explain,' 'Substitute,' 'My Generation,' 'Pinball Wizard' and the emerging Tommy material anchored the performance. The intimate Toronto show captured The Who on the cusp of their transformation from a singles-driven mod band into arena-filling conceptual artists, and it remains a celebrated date in the city's rock history, a rare close-quarters encounter with one of the most powerful live bands of the era.
The Who returned to Toronto to play Maple Leaf Gardens on December 11, 1975, on the North American tour supporting their album The Who by Numbers. By now firmly established as one of the biggest live acts in rock, the band brought their overwhelming volume and physical energy to the storied hockey arena. The set blended the introspective, road-weary material of the new record with the towering anthems that had become concert staples, and long passages drawn from the rock operas Tommy and Quadrophenia. Pete Townshend's windmilling guitar, Roger Daltrey's microphone-swinging showmanship, John Entwistle's virtuosic bass and Keith Moon's manic drumming remained the core of a famously combustible live show. Songs such as 'Substitute,' 'Baba O'Riley,' 'Behind Blue Eyes,' 'Won't Get Fooled Again,' 'Pinball Wizard' and 'My Generation' powered the performance, delivered at the punishing volume for which the band was renowned. The Maple Leaf Gardens date came during one of Moon's final full touring cycles before his 1978 death, capturing the classic original lineup at the height of its arena-era power. For Toronto fans it was a chance to experience The Who's full theatrical intensity in the city's premier large venue of the period.
The Who played Maple Leaf Gardens in Toronto in December 1982 on what was billed at the time as their farewell tour, supporting the album It's Hard, with a run of the era's biggest names on the road. The Toronto arena shows were part of a heavily promoted, elaborately staged tour, and the December performances were among the dates broadcast to cinemas and radio, later feeding into live releases documenting the tour. With Kenney Jones now on drums following Keith Moon's death, the surviving core of Pete Townshend, Roger Daltrey and John Entwistle delivered career-spanning sets built for large arenas. Songs such as 'Baba O'Riley,' 'Won't Get Fooled Again,' 'Who Are You,' 'Pinball Wizard,' 'My Generation,' 'Love Reign o'er Me' and newer It's Hard material anchored the performances. The shows carried an air of finality, presented as a last chance to see the band before an announced retirement from touring, a break that ultimately proved temporary. For Toronto audiences the Maple Leaf Gardens dates were a grand, emotionally weighted send-off, capturing a version of The Who navigating life after Moon while still delivering the anthemic, arena-scaled spectacle that had defined them for two decades.
The Who played the Air Canada Centre in Toronto on December 4, 2006, touring behind Endless Wire, their first album of new studio material in more than two decades. By this point the band had been reduced to founding members Pete Townshend and Roger Daltrey following the 2002 death of John Entwistle, and they performed backed by a touring lineup that included drummer Zak Starkey. The set balanced selections from Endless Wire, including passages from its 'Wire & Glass' mini-opera, with the deep catalogue of classics that fans expected. Anthems such as 'Baba O'Riley,' 'Who Are You,' 'Behind Blue Eyes,' 'Won't Get Fooled Again,' 'Pinball Wizard' and 'My Generation' anchored the performance, alongside extended stretches drawn from Tommy and Quadrophenia. Townshend's still-ferocious guitar work and Daltrey's powerful vocals demonstrated that the core of the band's live power endured despite the losses of Moon and Entwistle. The Air Canada Centre show underscored The Who's status as enduring elder statesmen of rock, capable of filling arenas decades into their career, and it gave Toronto audiences a rare chance to hear the band supporting genuinely new material rather than trading solely on nostalgia.
The Who returned to the Air Canada Centre in Toronto on November 23, 2012, on the Quadrophenia and More tour, which saw the band perform their 1973 rock opera Quadrophenia in its entirety. Founding members Pete Townshend and Roger Daltrey led an expanded touring ensemble, using video screens and archival footage, including images of the late Keith Moon and John Entwistle, to weave the deceased members into the performance. The first portion of the show delivered Quadrophenia from start to finish, its narrative of mod-era alienation carried by pieces such as 'The Real Me,' '5:15,' 'Love Reign o'er Me' and 'Bell Boy,' the latter featuring archival Moon vocals. The second half turned to a run of the band's greatest hits, including 'Who Are You,' 'Baba O'Riley,' 'Pinball Wizard' and 'Won't Get Fooled Again.' The ambitious staging and full-album format made the Toronto date a more conceptual, theatrical experience than a standard hits set, honouring the band's rich legacy while showcasing Townshend and Daltrey's continued vitality. For longtime fans the Air Canada Centre performance offered a rare complete live rendering of one of rock's landmark concept albums.
The Who played the Air Canada Centre in Toronto on April 27, 2016, as part of The Who Hits 50! tour marking the band's fiftieth anniversary. The Toronto date came after earlier postponements to the anniversary trek caused by Roger Daltrey's health, and the makeup show found founding members Daltrey and Pete Townshend backed by their veteran touring band, including drummer Zak Starkey. Conceived as a career-spanning celebration, the set functioned as a definitive greatest-hits journey through five decades of material. Anthems such as 'I Can't Explain,' 'The Seeker,' 'Who Are You,' 'Baba O'Riley,' 'Behind Blue Eyes,' 'Pinball Wizard,' 'Love Reign o'er Me,' 'My Generation' and 'Won't Get Fooled Again' anchored the performance, alongside stretches drawn from Tommy and Quadrophenia. Large video screens and archival imagery underscored the retrospective theme, honouring the band's full history including departed members Keith Moon and John Entwistle. Townshend's windmill guitar and Daltrey's still-commanding vocals confirmed that the duo remained a formidable live force half a century on. For Toronto fans the anniversary show was a sweeping, celebratory summation of The Who's catalogue, presented as one of the definitive documents of the band's long career.
The Who played Scotiabank Arena in Toronto on September 3, 2019, on the Moving On! tour, which paired the band with a full symphony orchestra for a lavish, large-scale presentation. Founding members Pete Townshend and Roger Daltrey, backed by their core touring group and augmented by orchestral musicians, framed the show around extended, orchestrated suites drawn from Tommy and Quadrophenia. The set opened with a run of Tommy pieces, including 'Overture,' 'Pinball Wizard,' 'We're Not Gonna Take It' and 'See Me, Feel Me,' before a mid-show stretch of band-only songs and a closing Quadrophenia sequence featuring '5:15' and 'Love Reign o'er Me.' Between the orchestral bookends, the group delivered stripped-down and full-band versions of staples such as 'Who Are You,' 'Baba O'Riley' and 'Won't Get Fooled Again,' the former two spotlighting violin and orchestral arrangements. The tour also supported the band's then-forthcoming self-titled album, and Townshend's characteristically candid, often humorous stage banter added an intimate counterpoint to the grand production. For Toronto audiences the Scotiabank Arena performance offered an ambitious, orchestrally enhanced take on The Who's landmark rock operas, reaffirming the enduring power of Daltrey's voice and Townshend's songwriting.
The Who returned to Scotiabank Arena in Toronto on October 2, 2022, on The Who Hits Back! tour, again performing with a full orchestra in a format similar to their previous Moving On! visit. Founding members Pete Townshend and Roger Daltrey, backed by their veteran touring band and orchestral musicians, structured the show around orchestrated selections from Tommy and Quadrophenia bracketing a middle section of band-driven classics. The set opened with Tommy pieces such as 'Overture,' 'Pinball Wizard' and 'We're Not Gonna Take It,' and closed with a Quadrophenia sequence including 'The Real Me,' '5:15' and 'Love Reign o'er Me.' In between, the group delivered staples such as 'Who Are You,' 'Eminence Front,' 'Baba O'Riley' and 'Won't Get Fooled Again,' with the latter two elevated by soaring orchestral and violin arrangements. Townshend's wry, self-aware banter and Daltrey's still-potent vocals gave the grand production a personal warmth. The Scotiabank Arena show demonstrated the enduring commercial and artistic vitality of a band by then approaching six decades together, presenting their most celebrated material in a richly orchestrated setting that Toronto audiences had come to associate with the band's later-era tours.
The Who played two nights at the Budweiser Stage in Toronto, on September 2 and 4, 2025, as part of The Song Is Over North American farewell tour, billed as the band's final run of shows. Founding members Pete Townshend and Roger Daltrey led the performances at the lakeside amphitheatre, marking an emotional return to the city where the band's history ran deep. The farewell framing gave the sets a valedictory weight, as the pair worked through a career-spanning selection of the songs that defined them across six decades. Anthems such as 'Who Are You,' 'Baba O'Riley,' 'Behind Blue Eyes,' 'Pinball Wizard,' 'The Seeker,' 'Love Reign o'er Me,' 'My Generation' and 'Won't Get Fooled Again' anchored the shows, alongside stretches drawn from Tommy and Quadrophenia. Townshend's still-vigorous guitar work and Daltrey's enduring vocal power underscored that, even in a farewell context, the band remained a commanding live presence. The two Budweiser Stage dates offered Toronto audiences a final chance to see one of rock's foundational acts, closing out a relationship with the city stretching back to their 1969 club show and countless arena visits across the intervening decades.
Given this history on Toronto stages, a The Who return in 2027 would be eagerly awaited. Set the free alert to be notified if and when a date is announced.
Getting a presale code for The Who Toronto 2027 is the only way to access tickets before the general on-sale. These codes are distributed by the promoter, official partners and ticketing platforms (Ticketmaster UK, AXS, See Tickets, Live Nation) — and unlock a reserved sale window, typically 24 to 72 hours before public release. Sign up below to receive the code by email as soon as it goes live.
The artist or fan club presale is the very first sale window, reserved for registered fans ahead of everyone else — often the best moment to grab the best seats, sometimes several days before the general on-sale. For The Who this allocation sells out fast. Sign up here to receive the artist presale code as soon as it opens, before the wider public.
The The Who concert at Scotiabank Arena is one of the most anticipated gigs of the year. Presales for this venue typically open 48 to 72 hours before the general on-sale — a very short window where the best seats disappear in minutes. By signing up here, you'll get the Scotiabank Arena presale code by email as soon as it's released, with usage instructions for the official ticketing site.
VIP and premium hospitality offers for The Who in Toronto require a separate presale code, distributed first to subscribers. Depending on the tour setup, VIP packages may include standing or premium seats, early venue access, exclusive merchandise and sometimes a meet & greet. Sign up to get the The Who VIP presale code as soon as it's released — typically before the public code.
The Mastercard presale is reserved for Mastercard holders and gives early access to tickets, usually before the general on-sale. Simply pay with an eligible Mastercard to qualify. Sign up here to receive the Mastercard presale code and the start time as soon as they are confirmed.
Live Nation, one of the biggest concert promoters, often runs a presale for its registered members ahead of the general on-sale. Sign up here to receive the Live Nation presale code for The Who in Toronto as soon as it's active.
Tickets for The Who in Toronto are generally available on Ticketmaster, AXS or See Tickets depending on the promoter. The Ticketmaster presale code is entered during seat selection — it unlocks a reserved allocation before the public on-sale. This code is separate from your Ticketmaster account and is not available from their site: you get it here by signing up for free.
No date is confirmed yet — sign up and you’ll be first to know when The Who announces a Toronto 2027 show, with the pre-sale code and on-sale time by email.